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Thus, in Strike, which recounts the repression of a strike by the soldiers of the tsar, Eisenstein juxtaposed shots of workers being mowed down by machine guns with shots of cattle being butchered in a slaughterhouse. The effect was striking, but the objective reality was falsified.
Dec 14, 2017 · The plot follows a factory on the verge of unrest, then plunged into a strike after a suicide of one of the workers, and then a gradual ...
The plastic thrust of Strike is rascally and comedic—sure, Eisenstein's juxtapositions can be ponderous (a giant factory wheel slows to a halt as three workers ...
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Eisenstein developed his cinematographic theory which he would put into practice in making his films, not only should there be conflict between shots, there ...
Arranged in six parts, the film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. It is best ...
Feb 12, 2023 · Strike displayed Eisenstein's practice and construction of his attractive montage theories. In this article, I want to analyze the sixth chapter ...
May 8, 2018 · An example of an overtly political film of the montage period is Strike (1925), directed by Sergei Eisenstein. Eisenstein was well known for ...
Feb 20, 2019 · He enlists a series of spies to circulate amongst his workers and figure out what's going on. Eisenstein takes a break to introduce us to four ...
Apr 5, 2020 · In Strike, Eisenstein creates meaningful symbolism by attempting to correlate the images of two elements that hold no temporal, causal or ...
Sergei Eisenstein began what became known as the Soviet Montage movement with his 1925 film, Strike, which depicted the uprising of proletariat workers ...