He was a pioneer in the theory and practice of montage. ... He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October ( ...
Sergei Eisenstein
Soviet film director and screenwriter
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Sergei Mikhailovich Eisenstein was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike, Battleship Potemkin and October,... Wikipedia
Born: January 1898, Riga, Latvia
Died: February 11, 1948 (age 50 years), Moscow, Russia
Spouse: Pera Atasheva (m. 1934–1948)
Award: USSR State Prize (1941, 1946)
Parents: Mikhail Eisenstein and Julia Eisenstein
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He was known mostly for his silent movies Strike, The Battleship Potemkin and October. He was also known for his historical epics Alexander Nevsky and Ivan the ...
Overview · Born. January 22, 1898 · Riga, Governorate of Livonia, Russian Empire [now Latvia] · Died. February 11, 1948 · Moscow, Russian SFSR, USSR [now Russia] ...
' Eisenstein was only seven years old when the revolution broke out in St Petersburg, but he was steeped in the stories of the uprising. On January 9, a workers ...
Russian, 1898–1948 · Introduction: Early motion picture producer and director. · Nationalities: Russian, Latvian · Gender: Male · Roles: Artist, Film Director, ...
Sergei Eisenstein. Director: Ivan the Terrible, Part I. The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in ...
Sergei Eisenstein, Russian film director and theorist whose work includes the three classic movies Battleship Potemkin (1925), Alexander Nevsky (1939), ...
Sergei Mikhailovich Eisenstein was a pioneering Soviet Russian film director and film theorist, often considered to be the "Father of Montage.
Born on Jan 23, 1898 in Riga, Latvia, Sergei Mikhaylovich Eisenstein was to become one of the most world-renowned filmmakers of the first half of the 20th ...
From Strike (1925) to Ivan the Terrible: Parts I and II (1944–46), Eisenstein's films, as well as his writings and his theory of montage, have shaped how cinema ...