Shooting inside a coffin is very low-tech, but required an extraordinary amount of preparation. Each shot needed a different configuration of the set elements to allow a window for the camera's lens to be properly positioned.

My cousin Andrew is a virtuoso accordionist + just released his first record of Romanian Gypsy music. If you're ever looking for something to listen to that's totally outside your normal wheelhouse, check it out. It's so rad. open.spotify.com/alb…

“In the world of movies, only what is specific can become universal. Movies now have the opposite idea: the universal to them is the most general, the least rooted, based on homilies of other movies, fake stories, fake people, fake movies.” – Wim Wenders

Here's a neat before/after of this cablecam shot in IMMACULATE. On the day (left) it was too windy to add fog, so we had to do it digitally. For the camera to "pass thru" the gate, we had to take the gate door off, and re-create it with CG. Pretty seamless!

The opening titles of LE CASSE are such a vibe. www.youtube.com/watc…